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Erotic City

40 Great Jones Street | New York, NY

March 13 – May 2, 2025

Betty Tompkins, Fuck Painting #60, 2019

Betty Tompkins

Fuck Painting #60, 2019

acrylic on canvas

60 x 58 in.
152.4 x 147.3 cm.

(BETOM002)

Christabel MacGreevy, Good Omens, 2025

Christabel MacGreevy

Good Omens, 2025

terracotta and glazed slip

13 x 9 in.
33 x 22.9 cm.

(CHRIS017)

Claudia Renfro, The Devil and Two Damsels, 2024

Claudia Renfro

The Devil and Two Damsels, 2024

freehand embroidery on linen

21 x 20 in.
53.3 x 50.8 cm.

(CLARE001)

Didier William, Take it Off, 2025

Didier William

Take it Off, 2025

acrylic, oil, ink, wood carving on panel

50 x 40 in.
127 x 101.6 cm.

(DIWI001)

Duncan Hannah, Beatrix, 2018

Duncan Hannah

Beatrix, 2018

oil on canvas

16 x 12 in.
40.6 x 30.5 cm.

(DUNHA002)

Eunice Golden, Dreamscape #6, 1979

Eunice Golden

Dreamscape #6, 1979

mixed media on paper

18 x 24 in.
45.7 x 61 cm.

(EUNG002)

Helen Beard, Shut Up and Kiss Me, 2023

Helen Beard

Shut Up and Kiss Me, 2023

oil on canvas

47 1/4 x 47 1/4 in.
120 x 120 cm.

(HELBE001)

Jane Dickson, Live Girls – Knee Up, 1993

Jane Dickson

Live Girls – Knee Up, 1993

oil and rolotex on canvas

38 x 38 in.
96.5 x 96.5 cm.

(JADICK001)

Jay Miriam, Looking for the Remote, 2025

Jay Miriam

Looking for the Remote, 2025

oil on linen

36 x 29 in.
91.4 x 73.7 cm.

(JAMIR001)

Jimmy DeSana, Contact Paper, 1980

Jimmy DeSana

Contact Paper, 1980

vintage C-print

15 x 23 in.
38.1 x 58.4 cm.

(JIMDE001)

Joyce Kozloff, Pornament is Crime Series #29: Music Lessons, 1988

Joyce Kozloff

Pornament is Crime Series #29: Music Lessons, 1988

watercolor on paper

22 x 22 in.
55.9 x 55.9 cm.

(JKOZ007)

Jonathan Lyndon Chase, hooded lover, and their palace, 2023

Jonathan Lyndon Chase

hooded lover, and their palace, 2023

acrylic marker, oil paint

72 x 60 in.
182.9 x 152.4 cm.

(JOLY001)

Joan Semmel, Untitled Figure Study (from the Sex Paintings Series), c. 1971

Joan Semmel

Untitled Figure Study (from the Sex Paintings Series), c. 1971

marker on paper

11 1/2 x 15 1/2 in.
29.2 x 39.4 cm.

(JOSE004)

Judith Bernstein, Dick in a Head - Avenger Series #15 (Orange Head, Blue Mouth), 2010

Judith Bernstein

Dick in a Head - Avenger Series #15 (Orange Head, Blue Mouth), 2010

charcoal and pastel on paper

41 1/2 x 29 1/2 in.
105.4 x 74.9 cm.

(JUBE001)

Kathy Ruttenberg, Man Screwing Nature, 2018

Kathy Ruttenberg

Man Screwing Nature, 2018

stoneware

16 x 15 x 17 in.
40.6 x 38.1 x 43.2 cm.

(KATRUT002)

Keith Mayerson, Love Triumphant (James Dean in a Tree), 2013-2014

Keith Mayerson

Love Triumphant (James Dean in a Tree), 2013-2014

oil on linen

68 x 45 in.
172.7 x 114.3 cm.

(KEMA002)

Katarina Janečková Walshe, To Do List, 2024

Katarina Janečková Walshe

To Do List, 2024

acrylic on canvas

40 x 30 in.
101.6 x 76.2 cm.

(KJW001)

Kim Levin, ACTION PAINTING II, 1969

Kim Levin

ACTION PAINTING II, 1969

oil on linen

12 x 16 in.
30.5 x 40.6 cm.

(KLEV009)

Lara Schnitger, The Artist is a Fountain, 2023

Lara Schnitger

The Artist is a Fountain, 2023

fabric collage on canvas

84 x 70 in.
213.4 x 177.8 cm.

(LARAS001)

Laurie Simmons, Color Pictures/Deep Photos (Staircase/Orange Wall/Chair), 2007-2022

Laurie Simmons

Color Pictures/Deep Photos (Staircase/Orange Wall/Chair), 2007-2022

ink jet, resin, and wood

13 x 10 3/4 x 3 in.
33 x 27.3 x 7.6 cm.

(LASIM001)

Lauren dela Roche, Raw Milk, 2025

Lauren dela Roche

Raw Milk, 2025

acrylic on found cotton feedsack and acrylic varnish

78 x 89 in.
198.1 x 226.1 cm.

(LDRO057)

Lee Lozano, Untitled, 1962

Lee Lozano

Untitled, 1962

charcoal on paper

29 x 11 1/2 in.
73.7 x 29.2 cm.

(LEELO001)

Letitia Quesenberry, BLSH 22, 2024

Letitia Quesenberry

BLSH 22, 2024

panel, lacquer, plexiglas, film, resin, paint

47 1/2 x 47 1/2 x 3 in.
120.7 x 120.7 x 7.6 cm.

(LEQU001)

Louis Fratino, Untitled, 2017

Louis Fratino

Untitled, 2017

pencil sketch on verso

oil pastel, watercolor, and graphite on paper

7 x 9 in.
17.8 x 22.9 cm.

(LOUFRAT001)

Lucas Samaras, Untitled (Portrait of Barbara Long), 1957–58

Lucas Samaras

Untitled (Portrait of Barbara Long), 1957–58

oil on canvas

45 3/4 x 34 3/4 in.
116.2 x 88.3 cm.

(LSAM004)

Mary Frank, Untitled (Man and Woman), 1978

Mary Frank

Untitled (Man and Woman), 1978

monotype on paper

17 3/4 x 23 3/4 in.
45.1 x 60.3 cm.

(MAFRA001)

Marilyn Minter, Thigh Gap, 2016

Marilyn Minter

Thigh Gap, 2016

enamel on metal

72 x 86 1/2 in.
182.9 x 219.7 cm.

(MARMIN001)

Martha Edelheit, 1931-

Martha Edelheit

1931-

Playground, 2015

Watercolor and ink on rice paper

10.0h x 10.0w in
25.4h x 24.77w cm

(MEDE390)

Mia Weiner, sweet stick sweat, 2023

Mia Weiner

sweet stick sweat, 2023

handwoven cotton, acrylic and silk, dye

25 1/2 x 17 1/2 in.
64.8 x 44.5 cm.

(MIWE001)

Marcus Leslie Singleton, Untitled, 2025

Marcus Leslie Singleton

Untitled, 2025

oil on panel

11 x 14 in.
27.9 x 35.6 cm.

(MLS003)

Mira Schor, Flesh, 2018

Mira Schor

Flesh, 2018

oil on canvas

12 x 16 in.
30.5 x 40.6 cm.

(MSCHOR013)

Olga Spiegel, Untitled, 1983

Olga Spiegel

Untitled, 1983

oil on canvas

40 x 60 in.
101.6 x 152.4 cm.

(OSP002)

Paul Cadmus, Reclining Nude NM137, c.1974

Paul Cadmus

Reclining Nude NM137, c.1974

crayon on paper

8 x 12 5/8 in.
20.3 x 32.1 cm.

(PACA001)

Patrick Siler, Tall Penis Pot, 1969

Patrick Siler

Tall Penis Pot, 1969

Signed, titled, and dated (on the reverse)

stoneware clay, vitreous slips, cut paper stencils, glaze

31 x 11 1/4 x 11 in.
78.7 x 28.6 x 27.9 cm.

(PAT010)

Pierre le Riche, The Embrace, 2021

Pierre le Riche

The Embrace, 2021

acrylic yarn on polyester

31 x 56 1/2 in.
78.7 x 143.5 cm.

(PIRI002)

Rose Nestler, Ballet Bag, 2021

Rose Nestler

Ballet Bag, 2021

upcycled leather, thread, neoprene mesh, polyester filling, zipper, hardware, aluminium bar

55 1/4 x 77 1/4 x 25 3/4 in.
140 x 195.9 x 65.1 cm.

(RONE001)

Rosalyn Drexler, Hooker, 1963

Rosalyn Drexler

Hooker, 1963

acrylic and paper collage on canvas board

9 7/8 x 8 7/8 in.
25.1 x 22.6 cm.

(ROSD001)

Sarah Faux, Half-wild, 2023

Sarah Faux

Half-wild, 2023

oil on canvas

38 x 44 in.
96.5 x 111.8 cm.

(SAFA001)

Sal Salandra, Present It, 2023

Sal Salandra

Present It, 2023

mixed threads on grid canvas

15 x 23 in.
38.1 x 58.4 cm.

(SALSA001)

Sophie Larrimore, Everything's A Sandwich, 2025

Sophie Larrimore

Everything's A Sandwich, 2025

watercolor, gouache, colored pencil and ink on 4 sheets of paper

33 x 23 in.
83.8 x 58.4 cm.

(SOPH001)

Anita Steckel, Untitled, c. 1970s

Anita Steckel

Untitled, c. 1970s

graphite, Xerox print, and wallpaper

14 1/2 x 19 3/4 in.
36.8 x 49.8 cm.

(STECK002)

Tom of Finland, Untitled (from "Circus"), 1975

Tom of Finland

Untitled (from "Circus"), 1975

pen and ink on paper

11 5/8 x 8 1/4 in.
29.5 x 21 cm.

(TOMFIN002)

William Christopher, Side Show, 1953

William Christopher

Side Show, 1953

tempera on Masonite

28 1/8 x 39 1/8 in.
71.5 x 99.4 cm.

(WICH001)

Hannah Wilke, So Help Me Hannah, 1978

Hannah Wilke

So Help Me Hannah, 1978

b and w photograph

14 x 11 in.
35.6 x 27.9 cm.

(WILKE001)

Press Release

Helen Beard, Judith Bernstein, Paul Cadmus, Miriam Cahn, Jonathan Lyndon Chase, William R. Christopher, Jimmy DeSana, Lauren dela Roche, Jane Dickson, Rosalyn Drexler, Martha Edelheit, Sarah Faux, Mary Frank, Louis Fratino, Eunice Golden, Jenna Gribbon, Duncan Hannah, Jane Kogan, Joyce Kozloff, Sophie Larrimore, Pierre le Riche, Marcus Leslie Singleton, Kim Levin, Lee Lozano, Christabel MacGreevy, Keith Mayerson, Marilyn Minter, Jay Miriam, Rose Nestler, Janice Nowinski, Tom of Finland, Letitia Quesenberry, GaHee Park, Claudia Renfro, Kathy Ruttenberg, Sal Salandra, Mira Schor, Carolee Schneemann, Lara Schnitger, Joan Semmel, Patrick Siler, Laurie Simmons, Anita Steckel, Betty Tompkins, Katarina Janečková Walshe, Mia Weiner, Hannah Wilke, Didier William

Eric Firestone Gallery is pleased to present Erotic City, a group exhibition of over forty artists, curated by Martha Edelheit. Edelheit (b. 1931, New York, NY) is a pioneering artist whose work confronts dominant art historical paradigms, foregrounding female gaze and desire. Her lush and vivid work is at once critical, sensual, and humorous. An important voice for feminist art, she is known for both her frank depictions of sexuality and her insistence on their place within an art historical tradition and society. Edelheit, who has been represented by Eric Firestone Gallery since 2018, lived in Sweden from 1993 until 2024. Now in her 90s she once again lives and works in New York City. 

Edelheit writes of Erotic City

What is the difference between pornography and erotic art? I’m 93 years old. In our culture it wouldn’t be unusual to ask what someone my age is doing curating an erotic exhibition. While it may not be common knowledge, most of my peers still have erotic lives, some more active than others. Behind that sometimes bent and wrinkled exterior a very intense sensory life can still be functioning. Since the 1960s I’ve been doing work that has been called erotic. I never set out to do erotic drawings. I never thought of my work as erotic. I was drawing amusing stories I made up for myself. I can’t do these drawings, or stories, on demand. They happen to me. In 1959–60 a friend showed me his copy of the Japanese Pillow Book. It was my first encounter with erotica and it profoundly affected my imagination and art making. It is still the lens through which I view erotic art. A writer of novels once stated that “pornography is a book you read with one hand.” Erotic works are images and writings you can also look at with one hand. Concepts of the erotic and pornographic change over time, and reflect the culture and politics of the era. Religion and politics define what is and isn’t pornography or erotica. The erotic novels of D.H. Lawrence were condemned as pornography when first published. When I was twelve or thirteen years old the erotic book being passed under the desks in my public school was “Gone With the Wind”.

I think of pornography as cold, abusive, nonconsensual, painful, humiliating, mean, degrading, clinical. Pornography is a commercial endeavor. Money is exchanged for specific services rendered, either in person, film, books, pictures. It often supplies services for what is sometimes called deviant needs…..punishment, pain, humiliation, infantile fantasies. Stomping, spanking, beating, binding, hitting, exposing, choking, submission to a dominating person, or dominating someone else. It has a much clearer delineation than erotica.

I think of the erotic as sensual, nonviolent, consensual, warm, inviting, sometimes funny, witty, amusing. Erotica can include some of the pornographer's stock in trade, but it is lighter in touch, sometimes humorous, often witty, and aesthetically pleasurable. Erotica assumes shared association, touching, stroking, licking, looking, playing, exposing….it digresses, teases, laughs, arouses, without harming.

Genitalia, vaginas, breasts, and penises are not pornographic or erotic. They are normal mammal body parts, usually used in reproduction. They depend on context to become pornographic or erotic. 

While pornography will arouse, it will not delight. Pornography can give immediate physical relief. Erotica can arouse but it also can give lasting aesthetic pleasure on many levels.

I hope this small selection of what I and the Eric Firestone Gallery consider erotic imagery will give you, the viewers, that experience.

Martha Edelheit has selected over forty artists who express this vision of the erotic, with works ranging from the 1950s to the present. Erotic City includes both historic and contemporary artists and showcases artists whose sensual work would immediately come to mind—such as Joan Semmel and Marilyn Minter—alongside artists for whom the erotic has been a significant, though not always highlighted, focus. A public program related to the exhibition will be announced soon, for further exploration of its themes. We invite you to join us for the opening reception on March 13, from 6 to 8 p.m.

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