B. SEWICKLEY, PENNSYLVANIA, 1940
Henry Chalfant is a well-known and highly regarded urban culture photographer and videographer most notable for his graffiti and break dance photography and film. He is highly regarded for his wide knowledge in hip hop and the underground culture.
His photos are in the collections of the Metropolitan Museum of Art in New York City, and the Carnegie Institute in Pittsburgh, Pennsylvania. Chalfant co-authored the definitive account of New York graffiti art, Subway Art and a sequel on the art form’s worldwide diffusion, Spraycan Art. Chalfant also co-produced and did the background research and photo-documentation for the 1983 documentary film, Style Wars, first shown on PBS television in 1984.
More recently he has completed a documentary about the South Bronx, “From Mambo to Hip Hop; A South Bronx Tale." The film chronicles two generations who grew up literally on the same streets of the Bronx, NY, and both used rhythm as their form of rebellion - for the older generation of the 1950s it was the pulsating rhythms of Cuba; for their children of the 1970s it was the rhythms of rap.
Henry Chalfant: Un Mirada, a comprehensive retrospective of Chalfant's photography, was on view at the Centro de Arte Tomás y Valiente from September 27- November 18, 2018 in Madrid, Spain. In 2019 the exhibition traveled to the Bronx Museum in New York where it was on view from September 25, 2019 to March 18, 2020.
On the busy thoroughfare of Grand Concourse in the south Bronx stands a contemporary building resembling origami folds. Home to the Bronx Museum of the Arts, this cultural institution offers the Bronx and greater New York City seasonal exhibitions and an impressive permanent art collection. Currently on display is Henry Chalfant’s graffiti archive and Alvin Baltrop’s queer photography. The museum relies on donations and grants to guarantee free entry to all visitors, so a celebratory fundraiser dinner was a natural fit. 2019 marked the museum’s inaugural BxMA Ball, a multi-sensory gala co-chaired by Angel Otero and Jerome Lamaar.
The Bronx Museum of the Arts is pleased to announce Henry Chalfant: Art Vs. Transit, 1977-1987, the first U.S. retrospective of the pioneering photographer, on view from September 25, 2019 to March 8, 2020. Recognized as one of the most significant documentarians of subway art, Chalfant’s photographs and films immortalized this ephemeral art form from its Bronx-born beginnings, helping to launch graffiti art into the international phenomenon it is today. The historic exhibition looks back at a rebellious art form launched in the midst of a tumultuous time in New York City history. Chalfant’s graffiti archives are a work of visual anthropology and one of the seminal documents of American popular culture in the late twentieth century.
When Henry Chalfant sees ads on the sides of today’s subway trains, he often mistakes them for the graffiti he used to photograph in the 1970s and ‘80s.
When Henry Chalfant arrived in New York City from suburban Pittsburgh in 1973, as an aspiring sculptor, he found a place teetering on the verge of bankruptcy. This was “Ford to City: Drop Dead” New York. But amid the turmoil a new form of art making was taking shape — one that took up space where it could, which was mostly everywhere.
Forty-some years ago, Henry Chalfant trained his camera on the graffiti artists who turned New York’s streets, trains, and underground stations into their own personal canvases. Now, the photographer is returning to the Bronx—the place where it all began—for his biggest institutional outing yet.
The period covered in the exhibition and film tells the story of Jean-Michel’s early work, peers, and creative community in gritty, pre-AIDS, downtown New York—before the rise of the 80s art and real estate juggernaut. It was a time when decay, drugs, and dissolution fueled a boom in creativity where the definition of fame, success, and power was not based on money, Facebook likes, and self-promotion. For these creators, to be a penniless published poet or a musician gigging at CBs was the height of success. In the rawness of the work, the focus on street art and graffiti, and the experimentation and cross-pollination of styles and disciplines, the era has become a flash point for younger generations seeking to learn about and understand the authenticity, closeness, and community expressed in the work of the artists in Zeitgeist.
Born on January 2, 1940 in Sewicley, Pennsylvania, Chalfant is a renowned and acclaimed photographer and cameraman dedicated to urban culture, renowned for his graffiti and photography and films about breakdancing. Distinguished by his knowledge of hip hop and underground culture, his photographs are in the collections of the Metropolitan Museum of Art in New York City and the Carnegie Institute in Pittsburgh, Pennsylvania.
“Times have changed,” Aaron Goodstone said stoically, eyeing the spruced up brick tenement at Ridge and Stanton Streets on the Lower East Side, now hip, where his friend Martin Wong once lived. Thirty years ago, when Mr. Goodstone was a teenage grafiti artist, he vied with drug dealers for the corner pay phone to reach Wong in his buzzerless sixth floor walk up: a salon, a studio, an archive and a refuge among the crumbling buildings and gated storefronts.
