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Eastward, Ho! Even Art is Leaving for the Hamptons
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Art in America: Tenth Street and After
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The New York Times: First Virtual New York Art Fair Brings Low Energy but Solid Prices
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Appreciating Tseng Kwong Chi’s Radical Art, beyond His Photos of Keith Haring
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The New York Times: The Armory Show, Playing It Safe During an Unsettled Time
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Art in America: 12 Things To See at the Armory Show This Weekend
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The New Yorker: TSENG KWONG CHI, AN “AMBIGUOUS AMBASSADOR” TO LIFE IN AMERICA
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Los Angeles Times: More is more. Why the ‘Pattern and Decoration’ show at MOCA is pure pleasure
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ARTSY: The Pattern and Decoration Movement Challenged the Machismo of Modernism
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THE NEW YORKER: What About The Human Figure?
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NEW YORK POST: Relive the subway’s graffiti-filled glory at this Bronx exhibit
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Joe Overstreet in "Unbound"
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VOGUE: At the Bronx Museum’s BxMA Ball, Guests Danced Bachata in the Galleries
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Miriam Schapiro in "Making Knowing: Craft in Art, 1950–2019"
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THE NEW YORK TIMES: ‘I Have to Get That’: How Henry Chalfant Became a Graffiti Ambassador
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THE NEW YORK TIMES: New York Galleries What to See Right Now, 'Painter's Reply'
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THE NEW YORK TIMES: Mimi Gross and Marcia Marcus
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EAST HAMPTON STAR : FIGURING IT OUT AT FIRESTONE
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Miriam Schapiro in "Where Art Might Happen: The Early Years of CalArts"
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Marcia Marcus in "Body Language: Picturing People"
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THE NEW YORK TIMES: Joe Overstreet, Painter and Activist, Is Dead at 85
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ARTNEWS: Joe Overstreet Purposeful Painter Who Made Space for Artists of Color, is Dead at 85
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Joe Overstreet in Soul of a Nation: Art in the Age of Black Power 1963-1983
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Henry Chalfant: Art vs. Transit
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Joe Overstreet in Soul of a Nation: Art in the Age of Black Power 1963-1983
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Joe Overstreet in Generations: A History of Black Abstract Art
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With Pleasure: Pattern and Decoration in American Art 1972–1985 | MOCA L.A.
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Miriam Schapiro in Pattern and Decoration: Ornament as Promise
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Joe Overstreet in Soul of a Nation: Art in the Age of Black Power 1963-1983
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Joe Overstreet in Into Form: The Rose Collection, 1957-2018
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Mimi Gross in Suspense: Key Moments in Midcentury Art
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Without Boundaries: Fiber Sculptures and Paintings by Women Artists
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Double Portrait: Mimi Gross and Marcia Marcus
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Tseng Kwong Chi in Art after Stonewall, 1969–1989
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Tseng Kwong Chi in That 80's Show
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Mimi Gross: Lost Atlanta, 1981
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Less Is a Bore: Maximalist Art & Design | ICA Boston
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HYPERALLERGIC : Two Women in a Man's Art World
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Miriam Schapiro in Handmade: Women Reshaping Contemporary Art
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ARTNEWS
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Surface/Depth The Decorative After Miriam Schapiro | Museum of Arts + Design
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The Brooklyn Rail
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Mimi Gross: Slab City Rendezvous
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ARTNEWS
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Hyperallergic
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Joe Overstreet in Mapping Black Identities
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Miriam Schapiro in Pattern, Decoration, and Crime
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Joe Overstreet in Soul of a Nation: Art in the Age of Black Power 1963-1983
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Miriam Schapiro in Pattern and Decoration: Ornament as Promise
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Henry Chalfant in Zeitgeist: The Art Scene of Teenage Basquiat
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Henry Chalfant: Una Mirada
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Vulture
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The New York Times
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Joe Overstreet: Justice, Faith, Hope and Peace
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The Menil Collection
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Michael Boyd and Miriam Schapiro in True Colors
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Artforum
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Miriam Schapiro in Women House: 36 Women Artists Deconstruct Domesticity
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The Nation
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Joe Overstreet in Way Bay
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ArtNews
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Joe Overstreet in Soul of a Nation: Art in the Age of Black Power 1963-1983
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The New York Times
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Tseng Kwong Chi in Club 57: Film, Performance, and Art in the East Village, 1978–1983
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Hyperallergic
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Art in America
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Hyperallergic
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West by Midwest | Museum of Contemporary Art Chicago
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The New York Times
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Artforum
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Hyperallergic
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Joe Overstreet in Soul of a Nation: Art in the Age of Black Power 1963-1983
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ArtForum
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Hamptons Art Hub
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Sidney Geist, Mimi Gross, and Marcia Marcus in Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965
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Art in America
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ArtNews
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Hyperallergic
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Artforum
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The East Hampton Star
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The New York Times
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Hyperallergic
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The New York Times
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The New York Times
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East of Borneo
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The New York Times
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The New York Times
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The Observer
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The New York Times
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The Village Voice
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The New York Times
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Artforum
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